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THE DRAWING MACBETH


ASGER JORN · HOUSE OF FINN JUHL
The pelican 75 'ARTWORK EDITION’ was launched in 2015 during Milan 'Salone del Mobile’. The jacquard woven fabric with the artwork ‘Macbeth, 1942’ by Asger Jorn was developed in connection the 100 year anniversary celebration of Jorn's birth in 2014. The fabric concept was introduced in connection with Danish architect Finn Juhl’s ‘Pelican' chair 75th. anniversary in 2015. 
A special "Artwork Edition" catalogue was also made in collaboration with Danish furniture manufacture House of Finn Juhl · @Onecollection
For more information · www.finnjuhl.com  
CATALOGUE · PELICAN 75 · ARTWORK EDITION
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The drawing Macbeth 
Asger Jorn, 1942
Pen, Indian ink, Pencil, 230 x306 mm
The drawing Macbeth is characteristic in so far as myriads of figures spread across the whole picture plane. The drawing was probably intended as a sketch for a painting and was executed during a stay on the North Sea coast at Nr. Lyngby during the summer of 1942 where Asger Jorn had rented a small fisherman’s cottage together with his artist colleague Ejler Bille.
The motif expresses spontaneity, playfulness, experiment, all of which are significant themes in the works of Asger Jorn.
Art and handwriting are the same. An image is written and handwriting is images. There is handwriting, a graphic element, in every image just as there is an image in every piece of handwriting. The border between art and handwriting is blurred in origin. Everything is a symbol of something.” 
Quote by Asger Jorn · “The Prophetic Harps”, 1944 

 

ABOUT · ASGER JORN
Asger Jorn (1914-1973) is regarded by many as Denmark’s pre-eminent 20th-century artist. His spontaneous abstract style has achieved considerable international acclaim. Distinctly versatile, Asger Jorn worked as a painter, ceramic artist, draughtsman, graphic artist, sculptor, and writer. His imagery evolved throughout his artistic career. With his colourful and imaginative works, Asger Jorn both inspired and challenged his contemporaries. Play and spontaneity were characteristic of Jorn’s working method. So, too, were experimentation and the need to find new ways. Together with Danish and European fellow artists, Jorn attempted to unite the currents in modern European art with the Danish tradition. He was a member and co-founder of numerous artists’ groups, among others Høst, COBRA and, later on, Situationist International. He published periodicals and several books on topics such as aesthetics, philosophy, politics and history.
For more information · www.museumjorn.dk
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